As per suggestion from Wayno. I went out on the town looking for Winsor Newton Kolinsky Brushes as a new tool for inking my comics. Unfortunately, I haven’t found them in any local art stores just yet. However, I did get some Utrecht Kolinsky style brushes that are supposed to be very similar. Since I really don’t know the difference I figured similar brushes are better than no brushes.
So I sat down at my drawing table unsure of what to expect. My brush in hand; I dip it into the ink for it’s inaugural run. Slow and steady the brush meets the paper and unexpectedly the it remains stiff. Quickly I retract my first line. This stiffness is not typical of brushes I’ve used for painting.
Nonetheless, I swivel around my drawing and try again. This time adding thin light details. I pause for inspection. Good consitant lines. No tracers or extra thingy’s hidden in the tiny yet descriptive line work.
From there I open it up and try a few things. Thick to thin. Heavy lines. Soft lines. Quick lines. slow lines. I’m amazed at the range, quality, and dynamics of my lines. Slowly I gain confidence in each stroke.
After about 20mins of playing and testing. Trying this and that. I pull back and inspect my work. Very cool stuff! My consnses is that Wayno is a genuis and that this was a turning point for me in my progression as a cartoon illustrator. I really feel like I’ve made a breakthrough. Looks and techniques that I’ve always wanted to employ but just couldn’t get it right are right around the corner.
So there you have it. Reason number 4,561 for getting involved in your local creative community. There is so much to learn from everyone around you.